Guitar Theory Video Lessons
Here you will find many videos on music theory for guitar. As you will see by watching these videos, music theory is not necessarily difficult or complicated: rather it is the best way to support your originality and spark your creativity as a guitar player! To get the most from your music theory though, you need to know how to avoid the most common pitfalls and really leverage your theory knowledge so that you will be able to apply it on your guitar spontaneously and naturally.
By watching the videos in this page you will gradually become aware of how you can use music theory on your guitar, and how this gives you a head start over every player who does not know it. Why learn things the difficult way? Learn music theory applied to the guitar fretboard with the videos below!
A Simple Trick To Spice Up Your Guitar Chord Progression
When I was learning to play I was puzzled how even simple chord progressions written by professionals sounded so good. I kept wondering if there was some secrets or hidden trick that made them sound so good. Turns out, there IS a secret! Click here to learn the simple secret to make your chord progressions sound better... and then apply immediately to your compositions!
CAGED Sucks Part 5: You Should Not Learn All Systems
NEW! Some people say that you have to learn "all guitar systems", "be well-rounded", etc. Curiously they seem to say that to deflect the objection that THEIR system is not working as advertised. I hear this "learn everything" answer most of the time I talk with someone who uses the CAGED system.
Well, "learn everything" sure SOUNDS good... but is it actually? Click here to see why learning to many system is harmful to your progress and why what you need is a single unified guitar scale system
CAGED Sucks Part 4: Are "Stretchy" Patterns Really A Problem?
I often receive this question in emails: "If the CAGED scale shapes are so inconsistent as you say, why some people still use them? What reason do they have to be stuck with an inferior system?"
The answer is surprisingly simple: because they want to avoid at all costs a stretch position on the fretboard that takes 5 minutes to learn. Yes seriously.
In our latest video on the problems of the CAGED system we see how avoiding that stretch is the root of all evil on guitar patterns, and we also see how to perform that stretch easily (and yes, my hands are quite small!) Click here to see how CAGED avoids stretching and why this is NOT a good idea at all.
Pedal Point Licks And Chord Progressions On Guitar
Pedal points are one of the oldest tricks in music theory, and they apply immediately to guitar music. They have been used in countless pop hits, and all modern musicians need to be familiar with them. Their sound is so peculiar that I can bet you are going to recognize a few songs that use them immediately
Click here to see how to apply pedal points to guitar music and write the next hit.
CAGED Sucks Part 3: Why 5 Shapes, And What Has The Tuning To Do With It?
We proceed relentlessly with our video series on the problems of the CAGED system: today we examine if the CAGED system is a "natural" system "inherent in the tuning of the guitar" as many of its proponent claim (with these exact words).
Bit of a spoiler alert: we are going to find that there is nothing natural in the CAGED system, and it's going to be really instructive. Click here to answer the question: is CAGED a "natural" scale system? (and if not, what is?)
Why And How You Should Learn Guitar Scales
Everybody tells you that you have to learn scales on guitar. But why exactly? Is there any benefit in learning musical scales on your guitar fretboard? And if you decided to learn scales, how would you go about that?
Find out why and how you need to learn guitar scales here!
CAGED Sucks Part 2: Scale/Arpeggio Integration
In our series highlighting the problem of the (in)famous CAGED system, today we will have a look at what is considered one of the advantages of the CAGED system, but turns out to be actually a weak point: the integration of scales and arpeggio patterns
Click here to learn the difference between visual and mechanical integration, why the CAGED system does not integrates arpeggio with scales, and what you can do about it.
Melodic Guitar Intervals: Breaking Out Of Scales
Do your soloing sound like you are just playing a scale up and down? Well, you just need to "break it up" a little. In this video we see how to leverage the simple interval of sixth (don't worry, it's explained in the video) and we see a few applications to lead playing. In a few minutes you will sound completely different
Click here to see how use the interval of sixth on guitar and stop sounding like a scale!
CAGED Sucks Part 1: Right Hand Inconsistency
In response to some questions from our readers, I am going to analyze in detail the problems of the CAGED system for guitar scales and chords and why I discourage its use. While it is important to know what to study/practice, it's even more important to know what NOT to study/practice lest we waste years going in the wrong direction.
In this first instalment of the series we will see how the inconsistencies of the CAGED system impact your picking hand and force you to learn the same thing needlessly many times over. Click here to see how the CAGED system increases your practice load rather than reducing it (and what can be done about it).
Learn How To Use The Octave Pattern
The "Octave Pattern" is often used as a shortcut to learn the notes on the guitar fretboard, but it actually makes things harder, not easier. In this video I explain why the octave pattern is NOT a good idea for learning the fretboard, and how it can still be used for other things like creating interesting licks. Click here to see how to properly use the octave pattern on the guitar fretboard.
Learn How To Write "Atonal" Metal Guitar Riffs
Are you a modern Metal guitarist and you want to learn how to write great "atonal" licks? Your guitar heroes seem to be able to play any kind of "wrong" notes and yet sound good? Do you feel you are always playing the "same old" scale? Here I will show you how to use the "wrong" notes and make them sound "right". Click here to see how to create "atonal" Metal guitar licks.
Learn How To Use The "Wrong" Notes And Make Them Sound "Right"
Are you a Blues or Jazz player wondering how your guitar heroes can use all these "wrong" notes in their solos and yet make them sound "right"? Well, wonder no more. Here I will show you how to get started on playing outside the scale and managing to make it sound good... while keeping it easy. Click here to see how to create "outside" Blues and Jazz guitar licks.
Create Awesome Guitar Phrases Using Intervals
Intervals: possibly the topic that is considered most boring in music theory. Can we make them immediately useful and FUN? Sure we can! I will show you how to take some simple ideas and make them awesomely interesting using intervals. Watch this video on Sliding Intervals Guitar Soloing so that you too can have fun with intervals.
Transform The Rhythm Of Your Guitar Phrases
Do you always seem to play the same 2-3 licks? Do you struggle in applying all the exercises you know to real-life playing situation? The problem that you have and you may not be aware of is that you have not mastered yet the ability to control and manipulate the timing of your guitar phrases. This is actually not difficult to do (IF you know his to do it...) thanks to one of my "secret" exercises that is easy and effective. I made a video for you that explains the exercise and its application. Watch this video on Guitar Rhythm Transformations so that you can learn to manipulate any phrase to your will.
Applying The Tritone Substitution To Blues Progressions
Sure, you may like Blues, but how many songs based on the 12-bar progression can you listen to one after another without getting bored? Not many. In this video I will show you how to CHANGE the Blues chord progression in an intelligent and flexible way so that you can make it sound fresh every time you play it. And it's so simple to do that you can actually IMPROVISE the changes. Click here to see how to apply the tritone substitution on a Blues progression.
How To Play A Creative Blues Rhythm (Without Learning 1000 Chord Patterns)
You may know how to solo on a Blues, but do you know how to play an interesting rhythm part that goes beyond power chords and the usual "shuffle" pattern? In this video I show a simple yet really effective system to create your own chords on the fly so that you can play great sounding rhythm parts on a Blues. People will ask you how much time you have spent to learn all these chords patterns... yes it sounds that good! Click here to see how to play a creative guitar rhythm on a Blues.
How To Learn All The Notes On The Fretboard (Without Getting Crazy)
Should you learn all the notes you your guitar? Of course you should! Every music theory concept will look much easier if you can translate it immediately to your fretboard, and you can do it only if you are really familiar with your notes. But isn't it difficult? No, it is actually quite easy if you know the right exercise to do! Click here to see how to Learn the Notes on the Guitar Fretboard.
How To Create Useful And Original Guitar Chords
Are you getting tired of the old "cowboy chords"? Sure, they are useful and fun... but after a while everything you write sounds the same, because is made by the same old chords! Here I will show you how to create completely new and original chords that sound great and that you can easily use in your own compositions. No formal theory required, all is done on the fretboard! Click here to see the Non-Standard Chords Video.
How To Create Original Licks With Just 5 Notes
The pentatonic scale has only 5 notes. This makes it simple to use, but creates another problem: how can we play something original and fresh with it? With just 5 notes surely every possible combination has already been played, right? Actually no: in this video I will show you how to create something new EVERY DAY on the pentatonic scale. Click here to see the Creative Pentatonic Video.
5 Errors Most Blues Players Make
Blues guitar: a style where what you DON'T play is as important as what you actually play! Yes, I know you have heard this a thousand times from the old cats that play at your local pub... but they never told you what NOT to play. Don't worry, in this video I am going to lay down in detail what specific things will make your solo sound bad, so you will know exactly what NOT to play. Click here to see the 5 Blues Guitar Mistakes that you want to avoid at all cost!
Advanced Uses For The Simple Pentatonic Scale
Ah, the old faithful pentatonic scale. Good for Blues and a bit of Classic Rock but not much else... or is it? In this video I am going to show you how to multiply the usefulness of the standard pentatonic scale and use it in ways that will make it sound modern and interesting... and all this without having to learn a single pattern! Click here to see the Advanced Pentatonic Video